{"id":6009,"date":"2017-01-11T14:33:20","date_gmt":"2017-01-11T13:33:20","guid":{"rendered":"http:\/\/prokulturgut.net\/worldmusicevolution\/?page_id=6009"},"modified":"2022-10-19T16:47:00","modified_gmt":"2022-10-19T14:47:00","slug":"jim-galakti-trumpet","status":"publish","type":"post","link":"https:\/\/prokulturgut.net\/worldmusicevolution\/jim-galakti-trumpet\/","title":{"rendered":"Jim Galakti &#8211; trumpet"},"content":{"rendered":"<p>Although the Russian trumpet player and composer first proposed initially a classical direction during his military service and later at the music academy in Kiev, he was more and more influenced by Jazz music.<\/p>\n<p>It\u2019s a Jazz, which inspires Laktionov from the bigger part, a direction that he processed with deep sound spectrum and dimensional space in his music in an individual way &#8211; in his compositions can be found stylistic \u00a0influences and sound elements of Freddie Hubbard and Nils Petter Molvaer. \u00a0Jim&#8217;s numerous travels have cultural and a colourful, intergalactic influence on his sound.<\/p>\n<p>Sound projects of the artist include: Me and the Bucket, Electric Jazzheadz und Transorient Orchestra.<\/p>\n<p>http:\/\/www.jimgalakti.com\/<\/p>\n<p><a href=\"http:\/\/prokulturgut.net\/worldmusicevolution\/wp-content\/uploads\/sites\/2\/2015\/04\/Jim-Galakti-P1020117-1.jpg\">Download picture (2,3 MB photo credit: Diana Winkler \/ Rechungpa)<\/a><\/p>\n<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:calc( 100% + 0px ) !important;max-width:calc( 100% + 0px ) !important;margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:0px;--awb-spacing-left-large:0px;--awb-width-medium:100%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><a href=\"https:\/\/soundcloud.com\/jim-galakti\/happy-new-year-2012\">https:\/\/soundcloud.com\/jim-galakti\/happy-new-year-2012<\/a><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Although the Russian trumpet player and composer first proposed initially a classical direction during his military service and later at the music academy in Kiev, he was more and more influenced by Jazz music. It\u2019s a Jazz, which inspires Laktionov from the bigger part, a direction that he processed with deep sound spectrum and dimensional  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":3007,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[245,435,433],"tags":[],"_links":{"self":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts\/6009"}],"collection":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/comments?post=6009"}],"version-history":[{"count":10,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts\/6009\/revisions"}],"predecessor-version":[{"id":18087,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts\/6009\/revisions\/18087"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/media\/3007"}],"wp:attachment":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/media?parent=6009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/categories?post=6009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/tags?post=6009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}