{"id":6084,"date":"2017-01-17T16:03:50","date_gmt":"2017-01-17T15:03:50","guid":{"rendered":"http:\/\/prokulturgut.net\/worldmusicevolution\/?page_id=6084"},"modified":"2022-10-19T16:46:57","modified_gmt":"2022-10-19T14:46:57","slug":"benjamin-stein-persian-instruments","status":"publish","type":"post","link":"https:\/\/prokulturgut.net\/worldmusicevolution\/benjamin-stein-persian-instruments\/","title":{"rendered":"Benjamin Stein \u2013 Persian instruments"},"content":{"rendered":"<p>Benjamin Stein has learned several instruments self-educated in his childhood, he played in bands CMEP and Fara Toga Man, but he has increasingly turned to Eastern European and Middle Eastern musical traditions and began to learn Santur, Tar, Oud, Robab, Dotar, Tambur and accordion.<\/p>\n<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:calc( 100% + 0px ) !important;max-width:calc( 100% + 0px ) !important;margin-left: calc(-0px \/ 2 );margin-right: calc(-0px \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:0px;--awb-margin-bottom-large:0px;--awb-spacing-left-large:0px;--awb-width-medium:100%;--awb-spacing-right-medium:0px;--awb-spacing-left-medium:0px;--awb-width-small:100%;--awb-spacing-right-small:0px;--awb-spacing-left-small:0px;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div id=\"attachment_3037\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-3037\" decoding=\"async\" class=\"wp-image-3037\" src=\"http:\/\/prokulturgut.net\/worldmusicevolution\/wp-content\/uploads\/sites\/2\/2015\/06\/Bennie1.jpg\" alt=\"Benjamin Stein\" width=\"800\" height=\"533\" srcset=\"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-content\/uploads\/sites\/2\/2015\/06\/Bennie1-300x200.jpg 300w, https:\/\/prokulturgut.net\/worldmusicevolution\/wp-content\/uploads\/sites\/2\/2015\/06\/Bennie1.jpg 800w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-3037\" class=\"wp-caption-text\">Benjamin Stein<\/p><\/div>\n<p>In recent years he enriched the interaction with among others Persian, Afghan, Turkish, Kurdish, Azerbaijani and Indian musician his musical cosmos. Currently Benjamin Stein plays among others with the Ostangeliter Orient Express, the Rouzbe Asgarian band, Paradoxon and Olaf Plotz and Bahar Narenj.<\/p>\n<p><a href=\"http:\/\/www.facebook.com\/benjaminsteinmusic\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Benjamin Stein has learned several instruments self-educated in his childhood, he played in bands CMEP and Fara Toga Man, but he has increasingly turned to Eastern European and Middle Eastern musical traditions and began to learn Santur, Tar, Oud, Robab, Dotar, Tambur and accordion.<\/p>\n","protected":false},"author":2,"featured_media":3037,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[245,435,433],"tags":[],"_links":{"self":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts\/6084"}],"collection":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/comments?post=6084"}],"version-history":[{"count":3,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts\/6084\/revisions"}],"predecessor-version":[{"id":18078,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/posts\/6084\/revisions\/18078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/media\/3037"}],"wp:attachment":[{"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/media?parent=6084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/categories?post=6084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prokulturgut.net\/worldmusicevolution\/wp-json\/wp\/v2\/tags?post=6084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}